![]() Front and back views with side by side vertical orientation. The Shroud of Turin as it appears on a photographic negative (positive). Joseph of Arimathea asked Pilate for the body of Jesus (John 19:38). What does the Bible say about what happened to Christ’s body immediately after his death on the cross? Connecting Christ to his purported burial Shroud is a process addressed by the following questions and answers: The Shroud’s most distinctive characteristic triggers the most frequently asked and still unanswered overarching question: What “caused” a front to back linear mirror image of an adult male to be formed on a linen burial cloth? The fact that science has yet to produce a definitive answer explains why the Shroud of Turin is the most studied, analyzed, revered, and controversial artifact in the world. ![]() Millions of Christians from all denominations believe that the Shroud is the authentic burial cloth used to wrap Jesus after his death on the cross, and found by his disciples in the empty tomb after his resurrection. The holy relic is housed in the Cathedral of St. Since 1578 the Shroud has resided in Turin, Italy, thus the name, the Shroud of Turin. It bears a faint yellowed image of a bearded, crucified man with bloodstains that match the wounds suffered by Jesus of Nazareth as recorded in all four gospel narratives. The Shroud of Turin is a rectangular linen cloth comprised of flax measuring 14.6 feet long and 3.5 feet wide. Please contact us here should we have missed something so we can correct.Above Photo: The face of the Shroud man as it appears to the naked eye and as a photographic negative ( positive.) Shroud Photographs ©1978 Barrie M. Every effort has been made to contact copyright holders for data & images within. This file is not permitted to be used in any business transaction or for any purpose of gain other than personal knowledge about the subject. It is free to anyone to learn about the Shroud. Creator: home-schooled HS student Christa General Editor: Deacon Pete Schumacher Editor: Andy Weiss, iseam webmaster SEAM, Inc, Menu SEAM reserves all rights of every version of this presentation. Petrus Soons presentation on the letters discovered on the solid object discovered on the Shroud while doing holographic and 3D work Presentation given in SEAM April 9, Weiss 20Ģ1 Credits Originally used in presentations in the Shroud Exhibit and Museum (SEAM), Inc. Soons holographic work continues with some promising areas of research Solid Object Under the Beard Three Hebrew Letters on the Solid Object Circle (Halo) Around the Head Donated examples of two images above can be seen in SEAM You can buy 24-layer lenticular images in SEAM Dr. ![]() Sullivan 3D qualities experiments publishing her results in the National Review in article: Reading the Shroud of Turin: Climax Approaching 1974: Paul Gastineau made a negative relief mold using his equipment, examined every single point with a concentrated light source, measurements of the quantity of light which transmitted to another part of the instrument containing a white-hot point which engraved the image into a soft material, thus visualizing this hidden information and obtaining a three dimensional face 3Ĥ VP8 Image Analyzer: Proving the 3D is encoded in the Shroud image and is not a property of the VP8 In 1976, two scientists, John Jackson and Eric Jumper of the Air Force Academy requested Interpretation Systems Incorporated donate a then $25,000 VP8 Image Analyzer analog computer, manufactured in 1972 Delivered by Pete Schumacher, VP8 production engineer They used this analog computer to make a brightness map of the Shroud of Turin one line at a time, foot to head This brightness map reveals a 3D image when processed with the VP8 the brightness data encoded on the Shroud image is not a process of photography 4Ģ0 Groundbreaking Work: 3D Studies of the Shroud Dr. 1 The Holy Shroud of Turin: What s That? A Tour of the Mystery that is the Holy Shroud of Turin Except where noted, SEAM v19 Menu at end Red indicates linksĢ 3D Pre-History History of 3D Studies : Paul Vignon, University of Paris, observed a image on the Shroud varied inversely with the cloth-to-body distance (closer = darker) image density proportional to distance of body to cloth could not scientifically prove 1950s: Leo Vala, London professional photographer performed first 3D experiments he called front projection Transflex Process projected 2 positive images on bed of clay creating a matrix for a sculpture of the face 2ģ 3D Pre-History History of 3D Studies : Barbra M. ![]()
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